SILHOUETTES
A portrait from a shadow
A profile filled in with black. The National Portrait Gallery calls silhouettes the first widely available popular portraiture in Britain.
See the numbersStart
CUT-PAPER ART
Some of the best-loved pictures were never drawn.

They were cut. Shadow portraits gave Britain its first cheap likenesses, paper-cut is part of everyday life across China, and a painter in his seventies called his late work drawing with scissors.
CUT, DON'T DRAWshape comes first
Compare the stylesKeep in mind
THE SHORT ANSWER
Each style starts from a different idea:
a shadow, a pattern, or a sheet of colour.
SILHOUETTES
A profile filled in with black. The National Portrait Gallery calls silhouettes the first widely available popular portraiture in Britain.
See the numbersPAPER-CUT
Chinese paper-cut is cut or engraved with a chisel, coloured or left blank. UNESCO inscribed it as intangible cultural heritage in 2009.
Compare the stylesCUT-OUTS
Henri Matisse's assistants painted paper with gouache; he cut it into shapes and arranged them with pins before they were mounted.
Try the methodCOMPARE THE STYLES
Pick a style to see how it is made and where it comes from. The bar shows how much colour the style usually uses, from a single dark shape to vivid painted sheets.
Based on descriptions from the National Portrait Gallery, UNESCO and the Museum of Modern Art.
TWO NUMBERS WORTH KNOWING
How long silhouettes were Britain's everyday portrait,
and how long one famous cut-out was kept from light.
≈ 100 years
Years as Britain's affordable likeness
In the hundred years before photography, silhouettes gave the British public an inexpensive way to have their likeness made, often cut in multiples for family and friends.
SILHOUETTES · NPG
20+ years
Years one cut-out spent off view
Matisse's The Swimming Pool (1952) was off view from 1993 to 2014 and then had a five-year conservation effort. As a light-sensitive work on paper, it is now being stored away from light for a number of years.
CUT-OUTS · MoMA
The National Portrait Gallery says the earliest known British silhouette is a portrait of William III and Mary cut by a Mrs Pyburg in 1699, and that the craze peaked in the 1790s.
TRY IT AT THE TABLE
The cut-out method MoMA describes needs only paint, paper, scissors and a few pins. The trick is to arrange before you stick.

Step 1
Matisse's assistants painted paper with gouache, so he had a range of bright colours to cut into.
Step 2
Cut shapes straight from the colour instead of tracing an outline. That is what drawing with scissors means.
Step 3
He arranged the pieces with pins, so they could be moved, and the compositions were mounted later.
Step 4
For a silhouette, trace a profile from a shadow, then cut it from dark paper and mount it on a pale card.
WHY CUT INSTEAD OF DRAW

The Met says Matisse turned to drawing with scissors after surgery in 1941 left him weak and with restricted mobility. In 1943 he began the cut-outs for his book Jazz, published in 1947, in colours he called vivid and violent.
UNESCO describes Chinese paper-cut as a popular art integral to everyday life, often passed from mother to daughter from childhood and particularly common in rural areas. Motifs vary by region: in southern China, fine and delicate designs predominate.
Questions
The National Portrait Gallery says the name comes from Etienne de Silhouette (1709 to 1767), a French finance minister who made paper cut-outs as a hobby.
The National Portrait Gallery traces the first record to the court of Catherine de Medici in late 16th-century France. The earliest known British example dates from 1699.
A popular art found throughout China and among many ethnic groups. Paper is cut or engraved with a chisel and used for interior decoration, festivities and prayers. UNESCO inscribed it on its Representative List in 2009.
Cutting shapes directly from painted paper instead of drawing outlines. MoMA says his assistants painted the paper with gouache, he cut it, and he arranged the pieces with pins before they were mounted.
Paper and paint can be light-sensitive. MoMA is storing The Swimming Pool away from light for a number of years to keep its colours vibrant and stable.
Destination
Updated
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